Underworld: Awakening review

Beckinsale bites back, bloodlessly

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If the previous three Underworlds weren’t to your Lycan, there’s lit🦋tle reason to seek out this fourth instalment, even if it does see Kate Beckinsale back in the leather corset-cum-career straitjacket as gun-toting bloodsucker Selene.

In a direct lift from Aliens , this year’s vampire-werewolf face-off sees her awake from a 12-year cryogenic freeze to find not only that her hairy nemeses have the genetic upper hand but also that she is now a mom to raven-haired cutie Eve (India Eisley). What to do? Why, launch a one-woman assault on wolf-man HQ of course, no doubt hoping we won’t notice Swedish co-directors Måns Mårlind and Björn Stein are now brazenly ripping off The Matrix .

With no Michael Sheen this time around and Charles Dance stepping in for an AWOL Bill Nighy, there’s a distinc🌊t sense of sloppy seconds to a film that’s humourle💜ss throughout and, thanks to murky 3D, visually dull to boot.

OK, so gore hounds may relish the constant throat-slashing, vein-slicing and one ingenious moment when Kate rips ope♊n a stomach for some DIY heart massage. For everyone else,ജ though, the only point of interest will be the villain’s henchman’s uncanny resemblance to Coldplay’s Chris Martin.

Neil Smith i🧸s a freelance film critic who has written for several publications, including Total Film. His bylines can be found at the BBC, Film 4 Independent, Uncut Magazine, SFX, Heat Magazine, Popcorn, and more.