Tony review

A creepy, quiet killer stalks the streets of the London suburbs...

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This grubby British anti-shocker from first-time director Gerard Johnson brandishes a fetid promise it doesn’t always fulfil.

Tony is a clammy loner who traipses London streets making graceless conversation with hookers and junkies before returning home to his corpsestrewn flat.

Peter Ferdinando excels as the repellent killer, dripping with a greasy awkwardness that sets you ill at ease from the off.

The grimy visuals, carefully observed characters and fine supporting turns add further feathers to Johnson’s cap.

Yet despite a black vein of humour, the slow, directionless narrative leaves Tony looking like Dalston’s 🅠dour 🐠answer to American Psycho.

Rosie is the former editor of Total Film, before she moved to be the Special Edition Editor for the magazine ✱group at Future. After that she became♔ the Movies Editor at Digital Spy, and now she's the UK Editor of Den of Geek. She's an experienced movie and TV journalist, with a particular passion for horror.