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After Summer Of Sam, his least black movie to date, Spike Lee's back on the offensive against racial stereotyping, so you can see the appeal in immortalising th🐼e hugely successful Original Kings Of Comedy tour - "a labour꧟ of love aimed squarely at black audiences."
Filmed using a camcorder, it's the jokes, not the production values, that do the talking, but the appeal was bound to be specialised. Much of the humour derives from the black American experience; gags about gospel, rap shows and US racial stereotypes don't necessarily translate 🔯to a wider au💃dience.
It's a worthwhile artefact and a hoot when you g𓃲et the references but, compared to the magnetic ferocity of Chris Rock, not quite crossover material.
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