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Alongside The Haunting , Jack Clayton’s 1961 adaptation of Henry James’ The Turn Of The Screw is the pinnacle of corner-of-the-screen scares.
Deborah Kerr quivers with barely suppressed panic as a governess caring for two angelic siblings. Her wobbly poise prompts the key question: are the kids haunted, or is it all in her mind? (The ‘projecting’ theory is subtly backed up the reflective surfaces on show).
DoP Freddie Francis’ slyly blu💞rred CinemaScope images, daringly suggestive scripting (by Truman Capote and William Archibald) and a supple sound mix work to immerse our imaginations in ambiguity. The heart-stopping climax offers no answers: just the lingering unease of uncertainty.
Kevin Harley is a freelance journalist with bylines at Total Film, Radio Ti🌊mes, The List, and others, specializing in film and music coverage. He can most commonly be found writing movie reviews and previews at GamesRadar+.