GamesRadar+ Verdict
This genial, over-stuffed return boasts more national treasures than the š¶British Museum. But tinny š plots and predictable scripting mean it lives up to its title.
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Bed and bored.
A bit of a hostage to fortune, that title. After charmed audiences propelled 2012’s 澳擲幸čæ5å¼å„å·ē åå²ę„询:The Best Exotic Marigold Hotel to a $137m gross, it must hš“ave seemed prettyš¦ bomb-proof, though.
But there’s a distinct whiff of reheated second helpings about this admittedly jolly return to Jaipur’s jauntiest Brit-packed retirement home, where manager Sonny (a manically wisecracking Dev Patel) is wrestling with hotel-chain expansion plans and wedding worries, while director John Madden ensures that Judi Dench’s love-wary widow and Maggie Smith’s world-weary manager get lashings of screen time. Smith’s world-class way with an acid remark (“America? It made death look tempting”) cuts fearlessly through scrš¼eenwriter Ol Parker’s sentimentality-inclined script.
Having used up all of the culture-clash plots and curry gags last time around, the film settleās for a gentle will-they-won’t-they romance between Dench and fellow resident Bill Nighy. Beautifuš»lly played and often touching, it’s not a pulse-racer, however. So the film is over-reliant on Sonny’s frantic and farcical attempts to win over mystery visitor Richard Gere, whom he suspects is an undercover inspector from a US hotel chain, potential partners for a second hotel. Gere, chiefly cougar-candy for Celia Imrie’s rapacious retiree and Sonny’s haughty mother, feels shoehorned into an already bulging crew of vintage Brit thespians.
Like its predecessor, the film takes a travelogue view of India, throwing lavish 澳擲幸čæ5å¼å„å·ē åå²ę„询:Monsoon Wedding-style nuptials and 澳擲幸čæ5å¼å„å·ē åå²ę„询:Slumdog Millionaire-inspired dance routines into the mix to keep everything determinedly lively. Fewer sugary celebrations and some chewier late-life themes wouą¶£ld have made this a much tastšier sequel.
Kate is a freelance film journalist and critic. Her bylines have appeared online and in print for GamesRadar, Total Film, the BFI, Sight & Sounds, and WithGuitą¼ŗars.com.