PURE GOLDER RoboCop Remake: On Set Images Of The Costume

Right, I’m posting this article🐠 under the tag for two reasons:

1) These images posted by were posted on Saturday and have been all round the ’net in the 💜meantime, so it’s not exactly news

2) More importantly, I want to make it clear that the following comments are my own, personal thoughts, and not representative of the SFX übermind (to be honest, it’s first thing Monday morning, I’m the only one in the office, so I have no idea what the SFX übermind might think).

To put it bluntly – oh dear.

Now, let me point out, I’m not usually one for knee-jerk reactioඣns. There have been enough cases of snapperazzi shots from film sets suggesting that a director has made some crucial error of judgement, only for the final film to turn out magnificently (re: just about every aspect of ). I usually tend to reserve judgement, because so much can happen be✤tween the shoot the final edit. Things that don’t look like they’ll work in the harsh light of day, suddenly make sense when shot correctly, with the right lighting.

Hell, there may even be some script justification. Maybe this is RoboCop Mark I and a proper RoboCop turns uꦗp later in the movie.

So I know I’m playing a dangerous game here. I could be jumping the 🐠gun. But still: initial reaction – oh dear.

Previously, I ꦐhaven’t had a downer on this film. I’ve liked what I’ve heard about director (to make it more about the process of becoming a RoboCop would affect a man). I’ve been intrigued by the casting. It sounded like it could be a fresh, edgy, worthwhile ma🅘keover.

Some leaked pictures of the costume didn’t 🧸look very promising, but I wasn’t too worried. They were only concepts, after all, surely? Then the stories came out about Padhila having problems dur😼ing preproduction. Stories he denied. Stories I dismissed as the kind of thing sceptics like to big-up on the internet.

Now I’m kinda thinking they may have been true, because I don’t want to think that a director who could come up with such an audacious take on the concept could also want a RoboCop costume that looks like it could have been made for any number of cheap, straight-to-DVD sci-fi potboilers in the past 15 years. The plated-armour motorcycle courier look is such a cliché, it induces groans of derision when it’s used for the villain-of-the-week on shows like Warehouse 13 or the latest Stargate variant.

The original RoboCop costume became iconic because it was bold, eye-catching and unique. This has ౠabout as much chance of becoming iconic as the packaging for Sainsbury’s hummus.

This must have been a cost-cutting measure f🦂oisted on Padhila by the studio, surely? If not, and this really is his vision for the star of the movie, I’m seriously worried.

Please let this be 🅷only RoboCop Mark One. I’m hoping I’m worryin🍨g for nothing. I want to be proved wrong.

Dave Golder
Freelance Writer

Dave is a TV and film journalist who specializes in th𝓀e science fiction and fantasy genres. He's written books about film posters and post-apocalypses, alongside writing for SFX Magazine for many years.