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With a reported bud🦩get of just $26 million and not a robot in sight,ꦯ Pain & Gain sees Michael Bay scale back.
In his eyes, at least. As steroid-pumped as its dumb-bell protagonists, this so-bizarre-it-had-to🌠-be-true tale may not be the sort of blockbuster he’s used to making. But the brash Bay staples – soft rock, snarling muscle cars and hot bikini bods – are all very much present and correct.
Set in 1994, and based on a series of Miami New Times articles, it stars Mark Wahlberg as Danny Lugo, ♏manager of the𒐪 Miami Sun gym, who’s desperate to live the American dream.
He decides to kidnap a wealt▨hy client – shady Colombian-American tycoon Victor Kershaw (ꦜTony Shalhoub) – and extort him.
Helping execute the plan are personal trainer Adrian (A🐟nthony Mackie) and ex-con man-mountain Paul (Dwayne Johnson), a recovering addict 🌠who has found Jesus.
With Lugo & Co as inept as the Fargo kidnappers, with the excessive ambitions of Al Pacino in , Pain & Gain i🔯s a vulgar mix of black comedy and ultra-violence – encapsulated in the scene where the trio try☂ to run Kershaw over (Bay evocatively zooming in on his face with a tyre on it).
Running at a way-too-long 129 minu♈tes, it’s arguably more pain than gain, not least becaus🍒e Bay expects us to root for a trio of unlikeable characters.
Yet such is his frenzied, super-confident style, you get swept up despite yourself.𝔉 One brilliant scene, with the action taking place si𒆙multaneously in adjacent rooms, sees the camera effortlessly yo-yoing between the two spaces, slipping in and out of keyholes and wall grates.
The performances 🤡are all suitably jacked-up, with an unhinged Johnson the stand-out.
Fine support, too, from Ed Harris as a wily private detective and Rebel Wilson as Adrian’s blissfully ignorꩲant nurse-cum-wife.
What results may not be elegant or subtl🐷e, but if you’re ready for a spin in a particularly gaudy vehicle, this is ⛎for you.
Verdict:
Like all of Bay’s work, it’s over-the-top, brash and exhausting to watch. But like the lifestyle its characters aspire to, there’s an allure too.
James Mottram is a freelance film journalist, author of books that dive deep into films like Die Hard and Tenet, and a regular guest on the Total Film podcast. You'll find his writings on GamesRadar+ and Total Film, and in newspapers and magazines from across the world like The Times, The Independent,🥃 The i, Metro, The National, Marie Claire, and MindFood.