Now is the time for a new Marvel and DC crossover

DC versus Marvel Comics
(Image credit: Marvel Comics / DC)

To be upfront, I've written a version of this story in my head every six months or so for the better p✱art of the last decade. It's also the subject of frequent conversation between myself and a buddy/colleague in the business. And over the years, although we agree that while the idea has merit, we've always concluded there was no true urgency to justify publicly airing the suggestion. There was never a real impetus other than trivial fan service to override the quite legitimate logistical and fiscal reasons against. Because despite some ups and downs, the Direct Market has been doing pretty okay for a pretty long while. 

But that cou🔯ld be on the brink of changing…

So yes ... it's now time for Marvel Comics and DC to stꦐart planning their next (ideally big) crossover event.&nb🍃sp;

DC versus Marvel crossover

DC versus Marvel Comics #1 (Image credit: Marvel Comics / DC)

I♎'m not going to spend too many words today on potential models for what impact whole cities and states essentially shutting down indefinitely is going to have on an industry largely built on independently-owned small businesses (i.e. often c🧸ash poor) as the backbone of its distribution system. We've seen comic shops shutter temporarily and even for good already. 

, an all-star X-Men one-shot featuring ꦿover two dozen creators with all proceeds going to African relief and recovery. DC did a parallel project with its own, .

Heroes for Hope

Heroes For Hope cover (Image credit: Marvel Comics)

In 2001 and 2002 Marvel pub🎃lished three 9/11-related projects - Heroes, , and a special♊ issue of Amazing Spider-Man that the publisher has said generated over $1 million in profits donated to the Twin Towers Fund. DC participated in a joint fundraising publication with other publishers like Dark Horse and Image on 9-11: September 11th, 2001 (The World's finest comic book writers and artists tell stories to remember) Volume 2.

As a long time editor-in-chief of a comic book news website and short-lived manager of Marvel 💛Comics' marketing communications office once upon a time, I can tell you from experience there are few reliable methods in today's Direct Market to generate big and broad sales figures that could help move the needle for retailers.

DC and Marvel relaunching their unive𒐪rses is certainly one means to generate excitement, but even that premise isn't as novel as it would have been a decade ago. And I'm not here today to suggest this situation should be the catalyst for either publisher to try to squeeze that through their pipelines. 

The same argument can probably be made for 🌳'killing' major characters. That well has been drained pretty dry. 

Pairing big-name creators with big-name properties they haven't been attached to for years always scratches a nostalgic itch and is a way to generate some big orders. So hey, if Todd McFarlane would like to draw a whole issue of Spider-Man again or Jim Lee would like to do the same for an X-Men title, I would certainly suggest it could do some good in the i✅mmediate future. And as supremely unlikely the prospects of those are even in light of the circumstances, they probably have an exponentially greater probability than Alan Moore🧔 writing Superman or Batman again. 

Spider-Man #1

Spider-Man #1 cover (Image credit: Marvel Comics)

It's been 17 years since the last significant Marvel and DC crossover - 2003's and Avengers/JLA - and 23 since the publishers went whole hog with the massive interconnected and Amalgam events. Strictly from a reader/fan/collector perspective, the interest is likely there for a good twist on the crossover theme. And add to it the element of the two long-time rival publishers putting whatever differences and reasons against aside to benefit and give a boost to the market and to the real people who ow🍰n and operate the real comic book shops we all frequent, and you might just have a chemical reaction that would make such a project even greater than the sum of its parts. 

Hell, I'm tempted to advocate Dark Horse and Image and IDW and others to join in too, but that seems like a hill too steep to climb. At least with Marvel and DC, there is precedent, with someജ of the players (executives, editors, and creators) who saw the last crossover through still in place, with others who played significant roles still around and perhaps willing to volunteer their expertise if🥂 called upon. 

I'm willing to spඣeculate Diamond might even be willing to throw in their weight to help grease the wheeꦗls and somehow increase the upside for retailers.

Now I could probably spend several hundred or more words itemizing the very real reasons why this can't or won't happen. Marvel Comics now being owned by The Walt Disney Company and (since the last crossover) having been transformed into a multi-billion-dollar IP farm for movies and TV likely leads the list. Though the Chris Reeve Superman films and Batman 🥂film𒀰 franchises were in full effect for Warner Bros. the last time the two companies made this work. 

DC versus Marvel crossover

Marvel Comics versus DC #2 (Image credit: Marvel Comics / DC)

The current inequity in their market share is likely another reason against, with Marvel emerging as the clear industry leader over the last several years - to be fair a position they've held for a vast majority of the history of the Direct Market. Under normal circumstances, Marvel🃏 might successfully ar🔴gue they'd be bringing more to the table than DC would, and a straight-up crossover wouldn't be a fair exchange. 

But these are not normal circumstances. 

And despite their 10 to 12+ point Direct Market share deficit, DC still has Batman and Supeജrman and titles that have just crossed the #1000 barriers and a place in the industry's history, and more importantly, pop culture, that still makes the ‘rivalry' a thing in the eyes of fans and ev💖en the more general public if not in hard numbers. 

And 70% of a marketplace is still 𓆏more than 40%, even if the split is not down the middle. 

If the comic book industry is going to pull through whatever we're all going to face in the foreseeable future, it likely won't be without some extraordinary efforts to fight for survival. And while there will not be any magic elixir, the instant excitement, and interest generated by comic books two most iconic and historical publishers, home to its most iconic and historical characters, teaming up to with the sole intent of helping mom-and-pop, brick-andꦯ-mortar comic book shops is likely the simplest premise w♈ith the most immediate potential at its disposal. 

And while yes, there is likely a laundry list of reasons why n𓄧ot, those reasons will be less relevant i💮n a market that someday could emerge as a shell of its prior self. 

A new DC - Marvel crossover may be the most unlikely comic book crossover of all time.

I'm not just the Newsarama founder and editor-in-chief, I'm also a reader. And that reference is just a little bit older than the beginning of my Newsarama journey. I founded what would become the comic book news site in 1996, and except for a brief sojourn at Marvel Comics as its marketing and communications manager in 2003,ꦑ I've been writ꧟ing about new comic book titles, creative changes, and occasionally offering my perspective on important industry events and developments for the 25 years since. Despite many changes to Newsarama, my passion for the medium of comic books and the characters makes the last quarter-century (it's crazy to see that in writing) time spent doing what I love most.