Is it just me, or are there no good horror boogeymen anymore?

A Total🧜 Film write♔r on why the genre needs new icons...

Freddy vs Jason
(Image credit: Warner)

By most metrics, the horror genre looks to be in rude health. The past decade has not only seen the release of a string of blockbusters like 澳洲幸运5开奖号码历史查询:IT: Chapters 1 and 2, 澳洲幸运5开奖号码历史查询:A Quiet Place and 澳洲幸运5开奖号码历史查询:The Conjuring (plus its plethora of 澳洲幸运5开奖号码历史查询:sequels/spin-offs), but has also given us the ground-breaking, poll-topping, Oscar-winning Get Out. 

So why does it still feel like something is missing? Where have all of th💮e memorable 𒀰horror-movie boogeymen gone? 

Having been born in the mid-1970s and grown up in the golden ag🐷e of video with parents who allowed me to rent anything that took my fancy (“as long as it’s not blue”), it’s hardly surprising that my eyes were swiftly drawn to the lurid cover art adorning most horror films. Before you could whisper “ki-ki-ki, ma-ma-ma”, I ඣwas hooked on the prolific parade of masked maniacs and frightful fiends populating those movies who kept returning over and over again.

While my childhood friends were getting all worked up about Marty McFly and James Bond, I was being thrilled and terrified by the murderous exploits of 澳洲幸运5开奖号码历史查询:Freddy Krueger, 澳洲幸运5开奖号码历史查询:Jason Voorhees, Michael Myers, Pinhead, The Tall Man, Chucky, et al.

Scream

(Image credit: Miramax/Dimension)

The 1990s saw new figures of fear, such as Candyman, 澳洲幸运5开奖号码历史查询:Ghostface and Sadako, joining this pantheon of💝 horror icons, but things just haven’t been the same since the turn of the millennium. 

Over the past couple of decades Hollywood has struggled to come up with genuinely memorable and enduring cinematic boogeymen, preferring instead to reboot familiar faces (Freddy, Jason, 澳洲幸运5开奖号码历史查询:Leatherface) or give tired old tropes a new spin (澳洲幸运5开奖号码历史查询:Annabelle, Pennywise, Jigsaw). And in pretty muc༺h every case, they’ve been imbued with less personality than Sam Raimi managed to give a camera nailed to a piece of wood in his Evil Dead films.

So where is the next Freddy or Pinhead? Sadly, with increasingဣly risk-averse studios seemingly happier looking to the ♊past for ideas rather than coming up with fresh ones, I fear we’re now far more likely to see earlier horror legends reworked (and subsequently diminished) than new ones introduced… or is it just me?