The subject of this powerful documentary, Don McCullin, is uncomfortable being defined as a war photographer, even if his work in covering countless armed conflicts across the world has revealed the horrifying experience꧒s endured by civilians and💙 combatants alike.

Defined by his Sunday Times editor Sir Harold Evans as “a conscience with a camera,” the septuagenarian McCullin emerges in David and Jacqui🐲 Morris’ accomplished film full of integrity, dignity and empathy.

His story’s aꦗlso a sobering primer in the hard-hitting photojournalism of the ’60s and ’70s.