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Ealing director Robert Hamer ( ) had a passi🍷on for french cinema, and with Rains he made a fair stab at transposing the poetic realism of Marcel Carné/ Jacques Prévert ( 🐻) into a British context.
Released in1947,it depicts a drab, ausജterity-era East London of pinched lives and pe🔥tty crime.
Googie Withers is on top form as the discontented wife of an older man whose sexy, dangerous e🦩x-lover (John Mccallum) comes back into her life after escaping from jail.
At the end–as so often in Hamᩚᩚᩚᩚᩚᩚᩚᩚᩚ𒀱ᩚᩚᩚer’s work–family 𝔍life closes in again like a trap.