GamesRadar+ Verdict
Pros
- +
Wildly imaginative level design
- +
Open gameplay rewards experimentation
- +
Catchy music complements the action
Cons
- -
It's easy to get lost
- -
Not much repl🉐ay value once you've found everything
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At first glance, Hohokum is painfully simple. Your input is limited to steering a flying, multicolored snake-thing (called the Long Mover) through 2D environments, triggeriꦇng strange reactions from objects and creatures as you float past. Nothing poses any real threat--at least not to you. There's no sense of urgency, and your central goal is to find other cosmic snakes in what appears to be a transdimensional game of hide-and-seek. It's almost like an interactive pop-up book, although that description doesn't do justice to Hohokum's captivating weirdness and its secretly inventive gameplay.
The bare-bones simplicity of piloting the Long Mover actually gives Hohokum a lot of flexibility to experiment with different play styles. The end result is a sprawling series of vibrantly wide-open levelꦰs with catchy interactive soundtracks and unique objectives. At first, exploration is its own reward; you're surrou🍸nded by bizarre things to investigate, each of which might suddenly transform into a crucial element for completing a level, and poking at them to see what they'll do is fascinating.
In one instance, you'll find yourself ferrying colorful little people aroꦍund a huge, floating carnival. It's hypnotically fun, especially once you figure out how to turn on the rid🧸es (sometimes with lethal results for your passengers). Another level simply sets you floating past what seems to be a vast, terraced mountainside farm, where you can make plants grow and scare silhouetted workers into hiding. It’s weirdly sedate, and really doesn’t seem like much of a level at first--until you find the one splash of out-of-place color that holds the key to a puzzle.
It's fun to fly the Long Mover around inღ twisting arcs--especially on PS4, where you can use the touchpad to make him spasm in erratic, music-generating, and utterly useless loops. (Sadlꦬy, the feature isn't present on Vita, which seems odd given its dual touch-sensitive surfaces.)
Some stages even seem empty, as if there's 📖nothing you can interact with that'll push things forward--but that's just a ruse. Each of the 14 or so stages contains a puzzle, and the first step in solving it is often to simply figure out what that puzzle is. This isn’t as difficult as it might sound; with a little prodding and exploration, you'll trigger an event or reveal a visual clue that'll point you in the right direction. Some puzzles are easier to find than others, and a few can be solved simply by wandering into a not-so-hidden room, or dragging stars around to illuminate a constellation. These shorter challenges aren't exactly rewarding, but their stages usually make up for it with distractions that combine music and visuals♛ in interesting ways. You know, like harmonizing lizard creatures that sing as you float through their twangable rubber-band surroundings.
Those simple stages are really just palate-cleansers for the bigger, more complicated levels. The multi-part puzzles here offer some of Hohokum’s most meꦫmorably enjoyable moments, and I always felt a little surge of pride whenever I pieced together a solution by experimenting with my surroundings. Working out a time-travel problem to save a doomed waterpark, for example, is weirdly satisfying, as is helping vacuum-snouted creatures harvest blobs of filthy-looking yellow goop. And that’s to say nothing of the simple thrill of recruiting fruit-carrying primates to act as my gunners during what&r🎀squo;s probably the most relaxing bullet-hell shooter sequence I’ve ever played.
In spite of the game’s meandering structure, you’ll get a clear signal that you're "finished" with a stage when one of your snakey friends comes out of hiding (accompanied by a goofy, wordless cutscene). But even then, there are𒁏 usually sec𓂃rets left to uncover, mostly in the form of 146 eyes hidden throughout the game (and helpfully tallied on the pause screen). They don't have any affect on your playthrough, but are fun to hunt down if you're into collectibles.
Hohokum's mix of openness and opaqueness is a big part of its fun, but there’s a dark side to it. There's no clear linearity to the levels; each one links to a couple of others via magic portals, and you're free to enter or leave them at any time--but it can be tough to keep track of where those portal༒s are and where they lead. Toward the end of Hohokum's roughly six-hour runtime, you'll likely find yourself backtracking through multiple stages in hopes of discovering one you haven't yet visited. Factor in that some levels look similar when viewed through portals, and it starts to feel like you’re going in circles, which gets tedious fast. Thankfully, that feeling evaporates when you finally emerge into new surroundings.
Be wary, traveler
While the Long Mover seems pretty benign, some of his actions leave Hohokum's worlds d🃏ecide🌺dly worse places for some of their inhabitants. Here are a few examples.
Pottery problems
Break enough of a 🌞guy's pottery, and he may start using it to send you passive-aggressive messages.
Runaway bride
This stage appears to be a wedding, with a twist: you g🅰et to pick the bride (or groom) who parties with the (other) groom. It doesn't really matt♔er who you pick…
Runaway bride part 2
… bu𝄹t be aware that the other two will stand around weeping and looking miserable.
Anchors away
Poor anchorfish. All♒ it ever wanted𝄹 to do was swim around making terrifying noises and eating other fish.
What could it be?
Hey, what's this electric fence-looking thing? G𒐪uess it won't hurt to get up close and…
Umm...
Oops.
Smog check
Look, just ꦑbecause these guys work around toxic fumes, it doesn't mean they like being dragged through them. Now they're probably going to die of Gross Lung because of you.
Enjoy the ride
Hey, why not drop off som🃏e passengers for the carnival level's ghostꦏ train? That's harmless fun, right?
...Just kidding
Oh, come on.
As annoying as that lack of direction is, however, it's an acceptable trade-off for the freedom to wander through Hohokum's oddball settings at will. The discovery-driven approach to puzzle-solving works wonderfully; everything's beautifully drawn and animated, with a range of thematic and musical styles that give each stage a freshly distinct mood and feel. It's not particularly deep 𝐆or meaningful as "art games" go, and its stages aren’t very interesting to revisit once you know their puzzle solutions--but as a goofy, light adventure, Hohokum excels.
Short, simple, a🦩nd wonderfully inventive, Hohokum's bizarre aesthetics and enigmatic level design make for a consistently surprising, enjoyable romp.
This game was reviewed on PS4.
More info
Genre | Puzzle |
Description | An indie exploration game that is sure to make you feel at peace. |
Platform | "PS3","PS Vita","PS4" |
US censor rating | "Rating Pending","Rating Pending","Rating Pending" |
UK censor rating | "","","" |
Release date | 1 January 1970 (US), 1 January 1970 (UK) |