Is 2011 a landmark year for Science Fiction? Director of the Arthur C Clarke Award Tom Hunter makes his case

I’m writing this on Sunday 25 September, the last day of Out Of This World: Science Fiction but not as you know it , the British Lib🅷raryღ’s fantastic summer sci-fi exhibition.

I was lucky enough to be invited to work alongside the British Library team promoting the exhibition. Part of this included the and Award organisers teaming up on a fantastic surprise tweet-up with Lauren Beukes (author of this year’s Clarke and Kitschies-winning Zoo City ) and BSFA award-winning cover artist Joey HiFi.

Made possible thanks to Lauren making a heroic 12-hour stopover in the UK while flying from South Africa to America, the event culminated in her speaking with an audience of fans while sat happily on the floor beneath a giant Martian t🀅ripod in the centre of the exhibition♋. It’s the simple things like that that make me happy.

So farewell Out Of This World , but hello , Tate Britain’s new exhibition on 19 ^th century artist John Martin.

Martin’s epic apocalyptic canvases were hugely pౠopular with the masses but frowned upon by the critical community of the time (a story every science fiction fan should have sympathy with) but his works have endured and gone on to inspire the likes of Ray Harryhausen, Alan Moore and HP Lovecraft and the exhibition artfully revels in this pop cultural popularity by staging Martin’s most famous triptych as a cinematic experience with projections, voiceovers and racked rows of seats so you can sit back and properly enjoy the end of♔ the world.

And if you don’t think the Tate is serious about the science fictional side of the exhibition, do 💞check out . And you can hear .

These high-profile shows are just two of t🍌he highlights in what has been so far, in my humble opinion at least, an incredibly noteworthy year for SF&F.

So what’s mad🌄e 20♕11 such a landmark for the genre?

For me at least, I think it’s mostly about breakthroughs. You don’t have to be a fan of science fiction for long to encounter some kind of sniffy attitude or other about our favourite genre, and c🧸ertainly a lot of work has been done to take the message out there into the woꦆrld about just how powerful our stuff can be.

Lauren Beukes put it very well when she said that it’s one thing that knowing the mistakes of the past means not being doomed to re𝔉peat them, but that it’s equally true that those who don’t imagine the future are doomed to f**k it up!

A🐭 manifesto for modern science fiction if eve꧙r I heard one.

What inter♊ests me in all of the above is that it’s been the big institutions embracing us, not the ot🌠her way around this time.

This is important, and it’s not over yet. For instance next week the Royal Society will be hosting , a weekend of science and literature events, and the Southwark Playhouse are staging as their alternative to Christ🌟mas panto this year.

All of thi👍s genre goodness is now happening alongside our regular welcome fixtures l𝐆ike and the which are both going great guns to bring new fans into the genre, and there’s extra doubleplus good news that this autumn will see the debut of not just one but two entirely new dedicated genre imprints: from Quercus and from Penguin. How awesome is that?

Oh, and speaking of awesome, even the latest news out of CERN that neutrons might be able to go faster than light, or at least cheat by jumping through inter-dimensional🐈 pockets in folded space time, has got to be a worth a mention, right?

At the time of writing scientists are pleadingཧ with SF writers not to get all excited, but let’s be honest we’ve always known there’s strange new worlds and stranger physics out thꦜere and to quote a certain Sir Arthur C Clarke:

“Every revolutionary idea seems to evoke three stages of reaction. They may be summed up by the phrases: 1, It's completely impossible. 2, It's possible, but it's not worth doing. 3, I said it was a good idea all along.”

And everyone said the landmark year for t♔hꦉe future of the future was going to be 2001!