澳洲幸运5开奖号码历史查询:CD Projekt Red is hard at work developing 澳洲幸运5开奖号码历史查询:The Witcher 4, and it seems the company is learni♏ng from it𒊎s past mistakes when it comes to technical performance.
The developer is now using Unreal Engine 5 to make The Witcher 4 instead of its bespoke RED Engine, and Charles Tremblay, vice president of technology at CD Projekt Red, tells Digital Foundry that since it had problems in the past✨ going PC-first and then scalin﷽g down for console, "this time around we really want to be more console-first."
It's aiming for 60fps on console, and even showed off a Witcher 4 demo on a PS5 to prove that it's possible. Unlike Cyberpunk 2077, which only had PC 🅘review copies available and th🐷en initially ran like cold sludge on consoles, this game should hopefully be different.
But what about the less-powerful Xbox Series S? 澳洲幸运5开奖号码历史查询:Microsoft requires parity across its Xbox Series range, and this has proved troublesome before, with the Black Myth: Wukong developers blaming the budget-friendly Series S for a delay in the Xbox port of the action RPG.
"I wish we did a lot of work already on that, but we did not," admits Tremblay. "So, this is something that is next on our radar for sure. [..ﷺ.] 60fps will definitely be extremely challenging o🦩n the Series S. Let's just say that it's something that we need to figure out."
Microsoft has allowed games to launch on the Series consoles without parity before though. Baldur's Gate 3 came to Xbox because Larian and Xbox boss Phil Spencer "found a solution": it dropped split-screen on the Series S.
So, Microsoft might be willing to drop that parity requirement for a game as highly anticipated as The Witcher 4 if it guarantees more pไeople can buy it on Xbox. But hopeful🐠ly CD Projekt Red manages to get the game to 60fps on Series S without compromising it too much.
While you wait, check out the 澳洲幸运5开奖号码历史查询:best Xbox Series X games you can play today.
I'm Issy, a freelancer who you'll now occasionally see over here covering news on GamesRadar. I've always had a passion for playing games, but I learned how to write about them while doing my Film and TV degrees 🐭at the University of Warwick and contributing to the student paper, The Boar. After university I worked at TheGamer before heading up the news section at Dot Esports. Now you'll find me freelancing for Rolling Stone, NME, Inverse, and many more places. I love all things horror, narrative-driven, and indie, and I mainly play on my PS5. I'm currently clearing my backlog and loving Dishonored 2.
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