43-year CRPG Fallout and Wasteland veteran says his studio “wouldn’t be here” if not for a “Hail Mary” $2.9m Kickstarter: “That culminated into Clockwork Revolution”
Thank goodness for the fans

澳洲幸运5开奖号码历史查询:Clockwork Revolution impressed me during its 澳洲幸运5开奖号码历史查询:Summer Game Fest trailer. It's deeply, alarmingly British, and I love the 澳洲幸运5开奖号码历史查询:BioShock-esque aesthetic. But if it weren't for Kickstarte♎r, it wouldn't eve🅷n be here.
InXile Entertainment launched a Kickstarter campaign to bring back the𒈔 Wasteland series back and develop a sequel. The campaign went well, providing millions of dollars to the studio and allowing itཧ to continue making games.
"That Kickstarter campaign was a Hail Mary pass to allow us to go back to making the kind of role-playing games we wanted to and eventually being part of 澳洲幸运5开奖号码历史查询:Microsoft," s🌊tudio head and founder Brian Fargo .𒈔 "That culminated into Clockwork Revolution."
In a video shared to YouTube that dives into inXile's 20-year history, we learn justಞ how close the studio was to shutting down before it made that "Hail Mary." In the video, Fargo says, "we threw it all in with our Kickstarter and that changed everything."

"We figured out we were able to p♐itch the games we want to make instead of pitching the game you know you can sell, which is a much more fun pla♚ce to be," says Matt Findley, Nola chief and co-founder of inXile.
"Brian had a conversation with me at one point," recalls inXile president C🐈hris Keenan. "[He] said, 'Hey listen. We're going to give this Kickstarter a try with Wasteland 2. I'm going to personally fund you out of my pocket for the next couple months [...] if it's successful you can direct that game, if it's not we shake hands and it's been a great run.'" So it really came down to the wire with the success of the Wasteland 2 Kickstarter.
"We wouldn'ౠt be here without our fans," Fargo ♛says, and that couldn't be more true.
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I'm Issy, a freelancer who you'll now occasionally see over here covering news on GamesRadar. I've always had a passion for playing games, but I learned how to write about them while doing my Film and TV degrees at the University of Warwick and contributing to the student paper, The Boar. After university I worked at TheGamer before heading up the news section at Dot Esports. Now you'll find me freelancing for Rolling Stone, NME, Inverse, and many more places. I love all things horror, narrative-driven, and indie, and I mainly play on my PS5. I'm currently clearing my backlog and lovi꧑ng Dishonored 2.
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