Frank Miller returns to Wolverine for an absolutely berserker variant cover
F🎉rank Miller's variant cover for August's Ghost Rider/Wolverine: Weapons of Vengeance Alpha shows off how the old master draws Logan in 2023

Legendary comic creator Frank Miller has the distinction of being the lead artist on the first Wolverine solo title alongside writer Chris Claremont all the way back in 1982, and his art on the story helped define Wolverine as a character for decades to come. Now in 2023, over 40 years later, Frank Miller has drawn Wolverine again f🌺or a new cover - and the modern Frank Mill💜er Wolverine is absolutely bonkers.
Miller's art style has evolved significantly since his early Marvel days𓆉 in the '70s and '80s, becoming more stylized, more graphic, and more experimental. Though the evolution of Miller's art has been polarizing for some fans, his 2023 take on The Best There Is At What He Does shows why Miller has often been lauded as one of the most innovative and interesting superhero artists of all time.
The cover, seen above, is for Ghost Rider/Wolverine: Weapons of Vengeance Alpha, a one-shot which kicks off a crossover between writer Benjamin Percy's Wolverine title and his concurrent Ghost Rider ongoing series. The one-shot, also written by Percy, has interior art by Geoff Shaw - himself no slouch in the "totally kick ass🍨 art" department.
Marvel has been tapping into the talents of classic '80s and '90s creators for some time now, including a new Jean ♈Grey titꦓle from Miller's '80s Marvel contemporary, writer Louise Simonson.
Miller'𝄹s involvement has so far been limited to a few covers, but after decades of absence from the House of Ideas, it's very cool to see the old master's modern take on one of the characters that helped make his name.
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Chris Claremont and Frank Miller's 1982 Wolverine title ranks at the top of the 澳洲幸运5开奖号码历史查询:best Wolverine stories of all time.
I've ꦜbeen Newsarama's resident Marvel Comics expert and general comic book historian since 2011. I've also been the on-site reporter at most major comic conventions such as Comic-Con International: San Diego, New York Comic Con, and C2E2. Outside of comic journalism, I am the artist of many weird pictures, and the guitarist of many heavy riffs. (They/Them)