The 32 greatest movies that audiences hated (and critics loved)
Critics gave𓆏 these movies flowers, while au🦩diences threw tomatoes

Film critics and audiences famously don't agree on movies, if they ever do. But while there are movies that audiences love and critics hate, so൲metimes the opposite is true too. There are movies that critics couldn't get enough of but audiences outrightꦉ hated.
It is popular belief that movies that critics and only critics love are💞 esoteric indie films, usually those made with tiny budgets and come from far outside the Hollywood system. But believe it or not, that's not always the case. Whether they're made independently or come from the deep pockets of a major studio, sometimes a movie simply splits the room, with its artistry appealing more to critics than everyone else.
Here, we list 32 of the all-time greatest movies that apparently only critics dug and au♏diences actually hated. Scoop some popcorn and get ready to throw them, because some of these movies are either instant classics or belong in the dumpster, depending on who you talk to.
32. King Kong (2005)
The goodwill Peter Jackson accumulated from his acclaimed Lord of the Ri🎐ngs trilogy apparently wasn't enough for his 2005 epic, King Kong, to become a similar hit for moviegoers. Jackson's gorgeous and epic remake of the original classic from 1933 has just a 50% audience approval rating on Rotte🅰n Tomatoes, compared to its more mighty 84% rating with critics. Though it's commonly believed that audiences prefer spectacles and critics favor artistic dramas, movies like King Kong smash those expectations to bits.
31. Smoking Causes Coughing (2022)
In Quentin Dupieux's chillaxing satirical homage to Japanese tokusatsu like Super Sentai (better known as Power Rangers for Americans), a group of intergalactic superheroes known as the Tobacco Force embark on a week-long retreat in order to fix some of their inte🃏rnal problems. While Smoking Causes 𝓡Coughing delighted critics as yet another gonzo comedy from Dupieux - it has a colossal 91% rating on Rotten Tomatoes - audiences were less inclined to vibe with its mighty morphin' strangeness, with an aggregate score of just 51%.
30. Where the Wild Things Are (2009)
Perhaps everyone's precious memories of reading Maurice Sendak's classic book meant most moviegoers couldn't be whisked away by Spike Jonze's film version. In 2009, the punk photograph♌er turne🥀d Hollywood filmmaker delivered a gorgeous movie adaptation of Where the Wild Things Are, itself a beautiful story about the limitless wonders of childhood imagination. Although critics enjoyed Jonze's movie, albeit questioning if it was actually for kids, audiences were less enthused. On Rotten Tomatoes, the movie has a 73% with critics versus a 57% with audiences.
29. Splash (1984)
In just his second movie as a leading man, Tom Hanks co-starred with Daryl Hannah in Splash, a fantasy rom-com about a young man who falls for a mermaid. While Splas👍h made, ahem, a splash with critics in 1984, and has been retroactively listed as one of the best of the year by outlets like Entertainment Weekly, audiences are less interested in swimming along. On Rotten Tomatoes, the movie enjoys a 91% rating with critics versus a more muddled 62% with audiences. While that's still technically a "fresh" rating, be honest: When was the last time you heard someone tell you that Splash was their favorite Tom Hanks movie?
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28. Mississippi Grind (2015)
From the filmmaking duo of Anna Boden and Ryan Fleck, Mississippi Grind is a comedy drama about a deep-in-debt ga𝓀mbling addict (B🎐en Mendelsohn) who thinks that a new friend, played by Ryan Reynolds, is a living good luck charm. The two embark on a road trip to play a high-stakes poker game in New Orleans. While critics were won over by Mississippi Grind and its killer hand in Mendelsohn and Reynolds as a buddy pair, audiences folded. The movie has a 91% critics rating and a 55% audience rating on Rotten Tomatoes.
27. She Dies Tomorrow (2020)
Eerily released during the COVID-19 pandemic, She Dies Tomorrow is a psychological horror about a woman (Kate Lyn Sheil) who believes that she will die after the next 24 hours - a belief that somehow spreads through the rest of her town. Although critics caught on to She Dies Tomorrow - Guardian's Peter Bradshaw wrote in praise of th🎉e film, celebrating it as an "eerie essay in creeping dread and collective hysteria" - audiences didn't test so positively. On Rotten Tomatoes, She Dies Tomorrow has an🐟 84% critics score and a more anemic 24% with audience.
26. Meatballs (1979)
It was the movie that launched the careers of both Bill Murray and director Ivan Reitman. Yet somehow, audiences haven't taken to Meatballs like a plate of sp𝓰aghetti. Set at a summer camp in Ontario, Bill Murray stars as the immature head counselor who tries to play matchmaker between two campers, as well as whip up his campers to defeat their rivals at Camp Mohawk in an upcoming competition. Despite the broad appeal of both Reitman and Mu🌠rray, only critics have shown love for Meatballs. The movie maintains a 73% critics' score on Rotten Tomatoes, versus a "rotten" 57% score with audiences.
25. Spring Breakers (2012)
Spring breaker forever! Or not. Conceived by director Harmony Korine, who lamented that he spent all his youthful years skateboarding instead of partying, Spring Breakers follows four college girls (played by ex-Disney stars Vanessa Hudgens and Selena Gomez as well as Ashley Benson and Rachel Korine) who venture down to Florida to party it up only to wind up in a life of crime. Spring Brea🎶kers enchanted critics who saw the movie's pointed satire about the American dream and the hedonism of youth, but audiences were seemingly disappo𒈔inted that Spring Breakers was anything but a carefree getaway. On Rotten Tomatoes, the movie has a 68% critics' score and a 38% audience score.
22. War of the Worlds (2005)
Although H.G. Wells' classic sci-fi novel War of the Worlds has been adapted to the screen many times before, Steven Spielberg's version from 2005 remains singularly fantastic. It's tense and violent but stays propelled by its focused story about family and reconciliation. Tom Cruise stars as an estranged father who must reunite his kids with their mother during an alien invasion. Critics were taken by Spielberg's vision, with 75% of critics singing its praises on Rotten Tomatoes; it has since earned more retrospective praise, including recognition as one of the best movies of the 20ꩵ00s by French magazine Cahiers du Cinéma in 2010. On the other hand, audiences were anything but abducted, with only a 42% audience rating on Rotten Tomatoes.
18. Ad Astra (2019)
From James Gray, Ad Astra stars a locked-in Brad Pitt as an astronaut who blasts off to space in search of his father, himself a space legend lost in his quest for int♏elligent life among the stars. Following in the tradition of emotional sci-fi epics like 2001: A Space Odyssey, Solaris, and Interstellar, Ad Astra bedazzled critics who fell in love with its awe-inspiring visuals andꦗ realistic depiction of near-future space travel. Audiences, however, were left floating in zero gravity. On Rotten Tomatoes, Ad Astra is supported by 83% of surveyed critics, but only 40% of audience reviewers.
17. On the Rocks (2020)
While critics might agree that On the Rocks doesn't match up to previous movies by director Sofia Coppola - Lost in Translation casts a seriously long shadow - the movie still had critics enchanted when it hit Apple TV+ in thﷺe fall of 2020. Rashida Jones and Bill Murray play a daughter and her father respectively, who harbor suspicions of infidelity by the daughter's husband (played by Marlon Wayans). On Rotten Tomatoes, On the Rocks was enjoyed by 87% of critics surveyed, but only 51% of audiences who saw it.
16. The Beguiled (2017)
In 2017, Sofia Coppola directed the second-ever film version of Thomas P. Cullinan's 1966 novel. Colin Farrell plays an injured Union soldier and deserter of the Civil War who takes refuge at a female boarding school in Virginia, his presence disrupting the delicate balance of the young girls' livelihoods. Also starring Nicole Kidman, Kirsten Dunst, and Elle Fanning, the movie, ahem, beguiled most critics, with 78% of 330 reviews rating it positively on Rotten Tomatoes. Audiences, meanwhile, were less than charmed; just 48% of audiences gave it a positi♉ve review.
15. Colossal (2016)
You'd think audiences would be sold on Anne Hatahway psychically controlling a giant monster. Butꦰ that wasn't the case with Nacho Vigalondo's black dramedy Colossal. Hathaway plays an alcoholic, unemployed writer who moves back home and works at a local pub run by an old friend (Jason Sudeikis). Soon, Hathaway finds she has a psychic connection to a Godzilla-like creature terrorizing South Korea. While 81% of critics on Rotten Tomatoes were compelled by Vigalondo's blend of kaiju sci-fi with a realistic portrait of millennial malaise, audiences weren't exactly running in the streets, with a leౠss imposing 58% audience score.
14. Sleight (2016)
In this micro-budget thriller from first-time director J. D. Dillard, a troubled teenager and street magician (Jacob Latimore) uses his magic skills to rescue his younger sister after she's kidnapped by his drug dealing crime boss. While critics were mostly impressed by Dillard's trick𒅌ery behind the camera, audiences weren't as much. On Rotten Tomatoes, Sleight has won over 80% of 44 critics, but onl🎃y 52% of all audiences who published a review. "The seams still show at times - this is obviously a low-budget movie - but for the most part, it's surprising, intriguing, and fun," wrote Vox's Alissa Wilkinson.
13. Kajillionaire (2020)
In this black comedy crime drama from Miranda July, an emotionally underdeveloped woman (Evan Rachel Wood) languishes in a dead end life shaped by her con a🐼rtist parents (Richard Jenkins and Debra Winger). Their lives change when a stranger (Gina Rodriguez) gets wrapped up in their business. While most critics praised the movie as another modern classic from a🍰n iconoclast director, audiences hardly fell for its schemes. On Rotten Tomatoes, Kajillionaire has the support of 90% of critics, but only 47% of audience reviewers.
12. Sausage Party (2016)
A vulgar, smoke-filled spoof of animated family movies (think Pixar and Disney), Sausage Party follows a talking, 🐼anthropomorphic sausage (voiced by Seth Rogen) who is horrified to learn what actually happens to food after they're purchased at the grocery store. While critics chowed down on Sausage Party and all it had to offer, giving it a delectable 82% critics' score on Rotten Tomatoes, audiences by comparison found the movie spoiled, rating it just 50% by contrast.