Spider-Man ha♈s been one of Marve🦩l's most popular superheroes for over 60 years as of August 2023's Spider-Man Day celebration, and in that time the Wall-Crawler has had some amazing, spectacular adventures.
Here's our list of the best Spider-Man stories๊ of all time, str🐼etching across his six decade history.
10. The Gift
Despite taking place right in the middle of the '90s '澳洲幸运5开奖号码历史查询:Clone Saga,' Amazing Spider-Man #400's 'The Gift' (co꧑llected in ) is a really im🎐pressive issue that features the death of Aunt May.
9. The Death of Captain Stacy
Guilt and death follow Peter Parker around something fierce. Numerous times in his career, Peter has promised that he won't let anyone else die as a result of his actions (or inaction) and in the years following his origin, he was able to mostly follow through on that. But the 'Death of Captain Stacy' arc (collected in ) that culminates in Amazing Spider-Man #90 was a gut-wrenching reminder that failure is part of Petܫer's journey as a hero.
And Captain Stacy's last request of Peter - to keep his daughter, Gwen, safe - is a heartbreak💜er for modern fans with knowledge of her death. Spider-Man may not always trade on the grim and gritty aesthetics that man🌱y other heroes are known for but his career is marked by tragedy. After the death of Uncle Ben, this story stands as a bit of a template for things to come for the wall-crawler.
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8. The Conversation
J. Michael Straczynski's run on Amazing Spider-Man might have gone off the rails eventually (thanks Spider Totems) but when it was at its best it was really firing on all cylinders. Nowhere in the run is that more evident than in Amazing Sp💖ider-Man #38's 'The Conversation' (collected in ).
Peter finally comes clean to Aunt May about being Spider-Man, and in the course of just one issue, JMS is able to solidify what makes Aunt May and her relationship with Peter a core piece of the Spider-Man mythos. It's a b🍌ig moment but JMS balances the pathos with humor and reminds us that 👍Peter Parker is not who he is by accident. Aunt May, whether she knew it or not, is essential to what makes Spider-Man a hero.
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7. The Gauntlet
For much of the post-'Brand New Day' era, the Spider-M⛄an books were getting a bad rep for moving away from the elements that fans had grown to love over the years. But the soft reboot allowed the collective writing group known as the Webheads to put together a reintroduction to the Sinister Six that built over several months and featured deeper examinations of their motivation🌜s.
The result was an epic that had excellent art from Paolo Rivera, Marcos Martin, and others and reestablished Spidey as one of the best books on the stands. These were classic villains given the room to evolve into real threats to Spider-Man and it worked exceptionally well. Shed and Rage of the Rhino, in particular, stand 𝔍out among the 20 issues of ',' making this a definitive Sinister Six story that should not be overlooked.
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6. Spider-Man No More
It's the cover that has been homaged a thousand times (as well as the first appearance of the Kingpin!) but 'Sp♐ider-Man No More' in Amazing Spider-Man #50 (collected in) is mu🔯ch more than just the sum of its parts. Spider-Man has always personified the world outside your window approach that Marvel has had with so many of their stories. And sometimes being a superhero is just too much to bear.
Steve Di♌tko may have created the visual language around Spider-Man but John Romita Sr. would bring his background in romance comic books to the wall-crawler and codify the identity of this book for years to come, elevating it to truly iconic status. Not to be outdone, Stan Lee delivers one of his best scripts, reaffirming the selflessness thꦅat is key to Peter Parker's character.
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5. The Original Hobgoblin Saga
By the time the Hobgoblin came around, fans were already well acquainted with Norman Osborn's villainous Green Goblin, so Roger Stern injected some mystery into the build-up around ol' Hobby. This Goblin wasn't crazy like Norman. He was cu🎀nning and calculated, and Stern only had him appear occasionally throughout the story to keep readers from guessing his identity. It was a clev💮er twist that made at least three characters reasonable suspects to be under the mask.
And John Romita Jr. does s✨ome truly impressive work as he melds his father's house style with flourishes that would eventually becomeꦺ iconic JRJR touches, evolving his style before the readers' eyes.
Ultimately, Stern would leave the🤡 book before the culmination of the plot, leading to new writer Tom DeFalco taking the big reveal in a different direction and putting Roderick Kingsley in the role rather than his brother Daniel as was intended. But '' still stands as a great reinvention of a classic character that breathed new life into the entirety of the Goblin mythos.
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4. Spider-Man: Blue
Jeph Loeb and Tim Sale's color books are legendary for a reason. They're basically perfect snapshots of our favorite heroes, recontextualizing some of their greatest triumphs and tragedies without the weight of y♏ears and years of continuity.
Their work in goes a long way to creating a better context for Peter's supporting cast, working esp👍ecially to understand how MJ feels in the wake of Peter losing his first love. The creative team handles it with aplomb, delivering a story that feels honest and real. It's a study of the idea that these characters are real people, too - that they are more than the adventures we are privy to. By exploring those in-betweens, Loeb and Sale put together a genuinely touching treatise on Spider-Man.
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3. The Night Gwen Stacy Died
'' sets Spider-Man apart from so many heroes. In a face-off with one of his greatest villains, 𓂃Peter is partly responsible for the death of his girlfriend, Gwen Stacy, and he flies into a rage unseen from the character before then. He failed himself, Captain Stacy, and Uncle Ben.
But these are the moments where we get to see what Peter Parker is truly made of. Though he could kill Norman Osborn once and fo♐r all, he doesn't, because even though he would be justified, it's not his decision to make. Death comes for us all but Spider-Man does not get to play Grim Reaper.
It's a heavy tale and a death that has colored all Spider-Man stories, arguably more than the one that spurred on Peter's origin.♏ Great heroes rise above, and that's something we've gotten to see time and time again in the best Spidey storꦬies.
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2. Kraven's Last Hunt
'' is always an interesting addition to any of these lists, and it just misses the top spot because it's not really a Sp🍸idey story, it's a Kraven one. J.M. DeMatteis and Mike Zeck explore the idea of a villain actually defeating his prey.
Now Kraven might seem to be an odd choice given that to this point he's most memorable for his killer fashion se✱nse (quite literally - his vest shoots lasers) but the creative team treats him as a serious foe, and in doing so, forces readers to take him seriously as well. The result is a story that is a challenging exploration of the meaning of heroes and villains and the endless determination that drives both sides of the equation.
Follow us on a deep dive of '澳洲幸运5开奖号码历史查询:Kraven's Last Hunt,' talking ♔with the people involved in the original storyline and industry observers at the time.
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1. The Master Planner Saga
This might be a surprising #1 entry, but 'The Master Planner Saga' (collected in ) is really the culmina𒁃tion of everything great about Spidey. The stor🍨y itself sets Peter up at Empire State University, a setting that would prove fruitful for plenty of new adversaries in the future, and introduces both Gwen Stacy and Harry Osborn.
Steve Ditko and Stan Lee craft a classic story that builds the mythos, while placing Peter in precarious predicaments that will require him to use his skills as Spidey and Peter Parker to save the day. And the impact of this story is felt even today as Marvel's 澳洲幸运5开奖号码历史查询:Spider-Man: Homecoming drew directly from the source material in a scene that features Peter seemingly defeated, crushed under the weight of debris, with time slippin⭕g away from him and Uncle Ben's ghost haunting him.
But he doubles down on the resolve to be a hero. Pinned under the w🎃reckage, Peter says, "Anyone can win a fight when the odds are easy! It's when the going's tough when there s𝓡eems to be no chance, that's when it counts!"
And he triumphs. A reminder that as always, with great 𝕴power mu𒅌st also come great responsibility.
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