From monsters and slashers to haunted hotels, here are the best horror movies▨ to watch right now
The horror genre might still have a reputation amongst the unini🅰tiated as being nothing more than blood and gore, but fans will be quick to tell you that the best horror movies of all time hold much more subtle scares in their delicately taloned claws.
Alongsid📖e classic slashers like Halloween, Scream and A Nightmare on Elm Street are more devious delights: the quiet, spooky sadness of ghost films like The Orphanage and Don’t Look Now, the 🔯folk horror nightmares of The Blair Witch Project and The Wicker Man, and the soul-strangling dread of Get Out, Hereditary and Ringu.
There’s blood to be spilt of course. Pools of it in Neil Marsh꧃all’s The Descent, the black and white horror of Alfred Hitchcock’s shower scene i⛦n Psycho, the corn syrup SFX of Brian De Palma’s Carrie, and the vivid claret of Dario Argento’s Suspiria
And gore hounds shouldn’t worry: oﷺur list of the best horror movies ever made includes plenty for you too. We get geysers of the red stuff in The Shining, Jaws, Evil Dead 2 and Candyman, plus the genius stomach churning (a♛nd chest bursting) effects in all-timers like Alien, An American Werewolf in London and The Thing.
So whether you’re after the pastoral💎 pleasures of Robert Eggers&r𝓰squo; The Witch, the heart-pounding terror of 28 Days Later, or the (admittedly not-as-much-as-people-assume-there-is) butchery of The Texas Chain Saw Massacre, you’ll get all that and more in our list of the best horror movies of all time.
30. The Orphanage (2007)
(Image credit: Warner Bros)
The movie: J.A. Bayona’s 2007 Spanish-language spookfest The Orphanage is one of those brilliant horror movies that scares the life out of you and breaks your heart in one ghost-child-filled go. Produced by Guillermo Del Toro, it received a rapturous reception when it premiered at the Cannes Film Festival and went on to delight horror fans and critics alike, becoming one of the 21st century’s most universally loved ghost stoꩲries. Belén Rueda turns in a spectacular and affecting performance as Laura, a woman who brings her family back to her childhood home, only for her young son to start communicating with an invisible friend before disappearing under tragic circumstances.
Why it’s scary: It’s got all the gothic atmosphere you could hope for from a ghost story set in an old Spanish orphanage: big spooky house, stormy weather, bleak landscapes, familial trauma. On top of that, the film features one of the most eerie children in hor𓆉ror history in the form of little sack-headed Tomas. Throw in some truly terrifying ghostly kids games, mysterious disappearances, and a now legendary twist ending, and this is one dark and 🐓deadly nail-biter you won’t forget in a hurry.
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29. Near Dark (1987)
(Image credit: F/M Entertainment)
The movie: Oscar-winning director Kathryn Bigelow’s Southern Gothic vampire flick follows Caleb (Adrian Pasdar), a young man forced to join a travel🌄ling band of bloodsuckers after he’s bitten by one of their crew - his beautiful and brutal love interest, Mae (Jenny Wright). Bill Paxton, Lance Henrickson, and Jenette Goldstein add to the fray, with stellar performances across the board bringing the neck-tearing terror to life. It’s a tale of vampires as family, told in a neo-Western style that breathes fresh life (or death) into the ubiquitous subgenre and which has garnered a cult following over the years thanks to its striking visuals and set pieces.
Why it’s scary: The unpredictability and savagery of the vampires in Near Dark leaves a lasting impression. These are blood-soaked killers on the rampage, killing to feed but also apparently for fun, and the group includes not only unhinged immortals as you’d expect them but also an unsettling vampire child in Joshua M🌠iller’s Homer. It’s made very, terrifyingly clear that once the sun goes down there’s no escape, so you had better pray for daylight.
28. The Descent (2005)
The movie: If there was a dip in caving and bouldering trip attendance back in the mid-noughties, it’s probably the fault of Neil Marshall’s truly terrifying claustrophobic creature feature. Sarah’s friends want to make her feel better after the tragic death of her family, so instead of, y’know, buying her some gin, they take her on a caving trip. Unfortunately, the movie wouldn’t be on this list if the six women were there to have a heartwarming, gently comedic adventure where they all grow as people. From the moment this lot lower themselves into the darkness below the Appalachian mountains, it’s very cle♎ar that getting back out into the light again isn’t going to♉ be likely.
Why it’s scary: The claustrophobia of 澳洲幸运5开奖号码历史查询:The Descent is horribly real. Before you even discover what’s lurking down there - with a night vision reveal so spectacular that it goes🃏 down in jump scare history - this cave system is stone horror. The women are experienced explorers, but every shot of squeezing through tiny spaces as rubble gently falls, every huge cavern only lit in one tiny corner by their flares, and every step they take further into the abyss is heart-racing stuff. And this isn’t an unlikable crew of barely fleshed-out American teens; pun intended, these characters and their complex relationships truly matter. This is beautifully grueling, not to mention empowering, filmmaking. Witness the UK ending of this cult classic, and you’ll need more than a cheeky G&T to cheer you 😼up afterward.
27. 28 Days Later (2002)
The movie: Let’s get the undead elephant out of the room first. Danny Boyle’s horror is a zombie movie. Yes, they can run, but it’s important to think of this horrible lot as part of the same family tree as Romero’s finest. Maybe they wouldn’t have Christmas dinner together but they’d at least send cards and maybe some gift cards for the necrotic kids. The important thing is, regardless of their speed, these zombies are still the destroyers of worlds. When Jim (Cillian Murphy) wakes up in a hosp🐼ital bed - a lot like our friend Rick in The Walking Dead - he staggers out into an apocalyptic London that will never be the same again.
Why it’s scary:澳洲幸运5开奖号码历史查询:28 Days Later feels like a nightmare. Complete with a quite often heartbreaking as well as heart-pounding soundtrack🐓, this feels like the truest glimpse at the modern British apocalypse as Jim and his fellow survivors quest for safety in Scotland. The Infected are truly horrifying, survivors are suspicious, and the fallen British landscape is an impressive feat of cinematography. Throw in excellent performances from everyone involved 𒐪and 28 Days Later is a gory feast for the eyes and the heart.
26. The Witch (2015)
The movie: Self-described as a 'New England folk tale' – although it’s more like a fairy tale fro⛄m hell - Robert Eggers’ terrifying period drama follows a Puritan family after they are ejected from their colony. Screaming 'Don’t do it' at the screen just doesn’t work as William (Ralph Ineson) takes his wife Katherine (Kate Dickie) and his five children into the deep, dark woods to survive alone on a farm. It’s not spoiling anything to say that it doesn’t go particularly well. Following Thomasin, the eldest daughter of the family played by Anya Taylor-Joy in her first𓆉 credited role, we witness the tense unraveling of a dysfunctional family faced with the horrific prospect of an outside force staring out at them from the trees.
Why it’s scary: It’s love or hate time with this divisive movie, but lose yourself to 澳洲幸运5开奖号码历史查询:The Witch, and suddenly everything is scary, and you can’t put your shaking finger on✃ exactly why. Every perfectly constructed shot of the family attempting to survive in the wilderness is cranked into fear-ville with a constantly surprising hellish score of strings and vocals. This means that when true horror eventually does hit after a torturous slow burn of tension, it’s like Eggers has masterfully wired you in for shocks, and you didn’t notice. From the unnerving skip and shrill voices of the young twins to the monstrous goat known only as Black Phillip, there is unique horror lurking in The Witch that just doesn't go away.
has answered the first two and explained that Sam Raimi’s cabin-based comedy horror is, in fact, a 'requel.' Whereas the original Evil Dead followed a group of twenty-somethings to a holiday house from hell, the sequel revolves exclusively around Campbell’s Ash and his girlfriend Linda as they attempt to survive after playing a reading of the Necronomicon aloud. I'd be remiss if I didn't warn you about someone being beheaded with a garden tool post-reading.
Why it’s scary: Evil Dead 2 is perfect comedy horror. While it might not send you shrieking away from your screen, there’s a delightfully depraved viscerality to proceedings. Eyes in mouths, wall-to-wall gore, chainsaws feeling like the only option. It’s worth noting here, too, that if you do want something a little less punctuated with the word ‘groovy,’ then the Evil Dead remake from Fede Alvarez is 🧸truly something that can get under your skin. Where Evil Dead 2’s grim is played for much-appreciated laughs, and you’ll embra🦹ce the physical effects, Alvarez’s reboot errs distinctly on the unnerving side, making them a perfect double bill.
23. Carrie (1976)
The movie: It’s only right that the ma♏ster of horror literature Stephen King should feature on this list (not once but twice) with an incredible back catalogue of big screen versions of his books. In 1976, director Brian De Palma adapted King’s first published novel Carrie, and in the process created one of the greatest horror movies of all time. With an impressive cast including Sissy Spacek, Piper Laurie, Nancy Allen, Betty Buckley, William Katt and John Travolta, this story of a painfully shy teenage girl who is sheltered by her hyper-religious mother and viole♏ntly unleashes her telekinetic powers after being humiliated by classmates at her senior prom, is a seminal look at female adolescence, repression and revenge.
Why it’s scary: Aside from the horrific acts of King-esque bullying undertaken by her peers, and an explosive final act that sees Carrie claim her power at long last to stand up against her tormentors in blood-soaked, fire-scorched fury, much of the true terror of the film comes from Piper Laurie’s performance as Carrie’s mother, Margaret White. She’s a religiousꦕ zealot who cruelly keeps her daughter from the real world with rabid fervor, mercilessly shaming he💖r and locking her in cupboards, and creating an environment in which Carrie has no choice but to detonate. The film also has one of the most surprising final moments in horror, in true just-before-the-credits jump-scare brilliance. High school can be a killer.
22. Suspiria (1977)
The movie: Less a movie and more an assault on your senses, not to mention your stomach, Dario Argento’s Suspiria follows young dancer Suzy as she arrivesꦓ at a famous ballet school. Unfortunately, she doesn’t heed the girl running in the other direction and finds herself surrounded by horrific murder as young women are picked of꧙f artfully one by one. Still a gory cut above the remake, Argento’s original faced multiple cuts around violence on release and was one of the films at the bloody center of the 1980s video nasty panic. It doesn’t take long to see why.
Why it’s scary: Nothing about Suspiria is easy to experience. Every color forcing its way into your eyeballs like technicolor violence, everꦬy murder intent on you watching each moment in agonizing detail from angles only a madman would select, and a soundtrack so disturbing that you’ll feel like you might have accidentally found Hell’s playlist on Spotify. Depraved, stylish, and beautiful, Suspiria is an experience not to be missed. You don’t have to like it, but even a𓃲fter all these years, this is a true nightmare of a horror movie waiting patiently to sneak into your brain.
The movie: The original Candyman film, based on horror writer Clive Barker’s short story The Forbidden, was a success upon release and subsequently gained a loyal following throughout the '90s thanks to its regular appearance at teen sleepovers as a VHS rental. Helen Lyle (Virginia Madsen) and her study buddy Bernadette Walsh (Kasi Lemmons) are researching folk tales and urban myths in Chicago, and land themselves in the midst of the Candyman legend - the only-too-real tale of a murdered enslaved man who haunts and terrorises the💜 residents of a housing project with his hooked hand. Helen’s tenacity, slight white-saviour complex and likeness to Candyman’s old love see her become🐟 his new obsession… and then his victim.
Why it’s scary: Tony Todd’s titular Candyman lurks in the shadows and the subconscious of the project Cabrini-Green, and his imposing stature and deep lyrical voice catapulted him into modern horror monster 💧cult status. The film is renowned for its beauty and its brutality, with evocative direction from Bernard Rose, a stunning score from Philip Glass, and visceral kills from its central character. Candyman is scary in all the best ways: it delivers gore and jump scares to test the most seasoned of horror fans, and the kind of tension that comes from a feeling of grim r꧒elentlessness and inevitability. In short, dare to say his name five times into a mirror and you and the people you love are doomed to die a horrible hooky death.
20. Halloween (1978)
(Image credit: Warner)
The movie: Who'd have thought an old Star Trek mask could be so terrifying? Director John Carpenter created a modern classic when he gave his villain a blank William Shatner mask to wear while he stalks babysitters around the fictional town of Haddonfield, Illinois. The movie created another icon, too, in Jamie-Leigh Curtis, who'd become both a scream queen in her own right, and the template for all final girls to follow. Who cares if the first scene makes ಞno sense? This is a movie that starts with a child-murdering his sister while wearing a clown mask and if that's not scary, you need your horror fa𒁃n status revoked immediately.
Why it's scary: Pretty much the original stalk-and-slash, Halloween set standards that have rarely been matched. Carpenter composes his shots to keep you constantly guessing, blending both claustrophobia and fearful exposure, often at the same time, to create a deeply uneasy sense of vulnerability wherever you are and whatever is happening. Also, that soundtrack. Composed by Carpenter himself. There is a reason that pounding doom-synth is still the soundtrack for oppressive horror. As a great follow up too, get the 2018 sequel into your eyes. The new 澳洲幸运5开奖号码历史查询:Halloween removes all those messy other sequels and does a 💙perf𓆉ect job of showing the real trauma of growing up as a victim of The Shape himself.
The movie: Mid-20's photographer Chris is driving out to 💫rura♒l New York to meet his girlfriend's parents for the first time, but he's a little nervous. "Do they know I'm Black?" he tentatively asks Rose, but she's having none of it: "My Dad would have voted for Obama a third time if he could have!". Phew! What could possibly go wrong? Everything. Everything can go wrong, Chris. Turn back now. This isn't just going to be slightly socially awkward.
Why it's scary: Bubbling with resonant social commentary, layered with hard-hitting goosebumps, and sprinkled with uncompromising humor, Get Out is a modern horror masterpiece in every sense of the word. Not content with scaring you just for its 90-minute run-time, director Jordan Peele wants to draw your attention to the real frightening truths rooted deep in the identity politics of contemporary America, and his grand reveal♏ is more horrific than any jump scare could ever hope to be.
18. Don’t Look Now (1973)
(Image credit: Optimum Releasing)
The movie: Based on Daphne Du Maurier’s short story of the same name, Nicholas Roeg’s dreamy 1973 masterpiece is a tale of grief, psychic connection and faith. The wonderf🅺ul Julie Christie and Donald Sutherland play a married couple living in Venice after the accidental death of their young daughter, and who encounter two elderly sisters bringing a warning from bey🍨ond. Roeg’s subtle film plays with time and reality through innovative editing and montage, and is visually striking as only the very best horror movies can be. It’s a quintessentially '70s horror that has aged gracefully to become a classic of the genre.
Why it’s scary: There are certain images that permeate throughout and beyond the horror genre, and surely Don’t Look Now’s little figure in its little red coat has to be one of them. Flashes and glimpses, whether within visions or amongst Venice’s winding, claustrophobic streets and canals, create a sense of visceral tension and outright terror. Add to 𒐪that disturbing imagery shown in disorienting visuals, an ever present suffusion o🤪f death and a general feeling of mortal peril, and this is one horror movie that will be haunting you long after it’s ended.
17. Nosferatu (1922)
(Image credit: Film Arts Guild)
The movie: The earliest horror movie on our list by far, F.W. Murnau’s 1922 silent vampire film Nosferatu remains one of the most influential and most spin🅰e-chilling in the genre. An unauthorised adaptation of Bram Stoker’s novel Dracula, this film from the German Expressionist school sees Max Schreck play Count Orlok, who journeys from his homeland to settle in a small town and becomes obsessed with his real estate agent's wife as a ‘plague’ ravages the local community. Weird how the symptoms seem to include bite marks on people’s necks, but who are we to make assumptions? Widely agreed to be the first depiction of a vampire in cinema, Nosferatu is the film that started it all and it could be argued is still to be surpassed.
Why it’s scary: Before vampires were sexy, they were scary. Max Shreck’s makeup in Nosferatu, including a now-iconic bald head, b꧙atlike ears and rodent-like pointed teeth, creates a genuinely nightmarish image of a monster who is out to drink you dry. The German Expressionist style of the film compounds the frights, with angular designs discombobulating the audience, uncanny movement from Shreck adding to his repugnance, and deep shadows stretching out to consume all in their path. Nosferatu might be over 100 years old, but its subtitle ‘A Symphony of Horror’ holds true to this day.
16. Night of the Living Dead (1968)
(Image credit: Janus Films)
The movie: In 1968, George A. Romero directed, filmed and edited one of the most celebrated and influential zombie movies in horror history, and made a name for himself for years to come as the go-to guy for movies about the marauding undead. Starring Duane Jones, Karl Hardman and Judith O’Dea, the simple and confined story s🎶ees a ragtag group barricade themselves in an old farmhouse to hide from a horde of flesh-eating ghouls. Through its vision of slow-walking corpses stalking small-town America for their prey, and classic lines like “They’re coming to get you, Barbara”, Night of the Living Dead informed the zombie subgenre and became a perfect example of how an independent filmmaker with a camera and a dream - and some animal entrails - can change the game forever.
Why it’s scary: Like many of the best horror movies of all tim🐬e, Night of the Living dead isn’t just about what it appears to be on the surface. Sure, it’s a zombie movie and the ghouls are out to kill and munch on your flesh, but it’s often the subtext of Romero’s movie that causes the real goosebumps. It’s a film more deeply about people under siege, claustrophobia and paranoia, power struggles and American civil rights, and over 50 years later the closing moments still pack a punch that will leave audiences reeling.
15. The Wicker Man (1973)
(Image credit: British Lion Films)
The movie: If the above image doesn’t strike a sense of menace into your heart, it’s time to mainline Robin Hardy’s folk horror directly into your eyes. No, The Wicker Man isn’t just about reaction gifs and mocking the bee-packed Nicolas Cage remake. If nothing else, watching Edward Woodward’s journey to Summerisle is essential background reading for the 21st Century spate of rural scary movies. The ideal accompaniment for the modern nastiness of Ari Aster’s Midsommar or Ben Wheatley’s Kill List, The Wickerman’s appeal is in its sheer terrifying simplicity. Policeman goes to island on the hunt for a missing girl. Policeman discovers all is not what it seems. Oh, and indeed, deaಌr.
Why it’s scary: It’s a horror message that we’re all quite used to by now but humans being the real monsters never seems to get old. The inhabitants of Summerisle might seem somewhat comedic and there are more than a few moments of genuine humor in here, but The Wicker Man is fuel for your trust issues. Why should you truly believe what anyone says? How can you actually go to sleep in a world full of human beings? The fear of the unknown is potent as Woodward’s Neil Howie blunders into a world with its own set of rules and beliefs. And, if you have managed to somehow not know how it ends, the reveal is still absolutely devast🍌ating.
14. Psycho (1960)
(Image credit: Paramount)
The movie: Alfred Hitchcock’s proto-slasher classic is now over 60 years old and still packs the sort of punch that elevates horror films into the re✱alms of cinematic legend. In case you don’t know, Psycho follows Marion Crane (Janet Leigh) as she goes on the run after stealing a shedload of money from her boss, ending ꦓup at a motel run by the unassuming Norman Bates (Anthony Perkins) and his domineering mother. What unfolds is a shocking story of identity and murder, with some of the most iconic sequences in film history playing out in beautiful black and white under Hitchcock’s inspired watchful eye.
Why it’s scary: Well… there’s that shower scene for starters. Not to mention the sort of tension only Alfred Hitchcock - the Master of Suspense - can conjure in that certain way he did, making it look so easy but which was actually the kind of illusive genius that made him a household name. Scenes of voyeurism are characteristically played out for both Norman and the audience, creating an atmosphere of impending doom, and genuinely chilling moments of frenzied stabbing from the movie’s killer (no spoilers here, no matter how long it’s been around) make the blood run cold... especially down a certain famous plughole. Set all this to Bernard Herrmann’s♓ sublime score of screeching strings, and you’ve got something truly special that’s not to be m💖issed by any fan of horror or cinema.
13. Alien (1979)
The movie: Arguably one of the 澳洲幸运5开奖号码历史查询:best alien movies ever made also just happens to be one of the greatest horror movies too. It doesn't seem fair, does it? The original Alien from Ridley Scott sends the crew of the Nostromo to investigate a distress call from an abandoned alien spaceship as innocently as any gang of hormonal teenagers headed off to a remote cabin in the♋ woods. And, just like those teenagers, not many of them are going to survive to tell the tale. Sigourney Weaver makes for the ultimat🌠e Final Girl here.
Why it's scary: There's nowhere more horribly isolated than a spaceship light years away from home and Giger's alien is as terrifying a monster as you could wish for. The dread goes much deeper than teeth and claws though. This creature represents a multilayered, bottomless pit of psychosexual horror, its very form praying on a raft of primal terrors. Plus, the visual ambiguity of Scott's direction during the final act is an absolute masterclass in 'What's that in the shadows?' tension. Ignore the recent 澳洲幸运5开奖号码历史查询:xenomorph-packed movies, turn off the lights and watch this and Aliens to r🍨eignite your passion for the true horror of Scott's vision.
12. The Omen (1976)
(Image credit: Fox)
The movie: At the sixth hour of the sixth day of the sixth month (get it?), a certain baby was born who would change the world forever. And not just within the world of The Omen. Damian is the ultimate evil kid - the spawn of Satan himself - and he’s here to wreak havoc on the lives of his ‘adoptive’ parent🃏s, the Thorns (played masterfully by Gregory Peck and Lee Remick) and everyone around them, includin🌳g David Warner’s photographer-cum-buddy-cop Jennings. So exemplary is this creepy child that he has become the go-to reference for all little “Damians” going forward.
Why it’s scary: Richard Donner’s The Omen is a masterclass in quality horror filmmaking but don’t let that put you off, horror fans - there’s plenty of shock and schlock to be had here too. As Damian unleashes his dastardly plans on the world around him, people ꦗare hanged, shot, decapitated, defenestrated, impaled, savaged by rottweilers and a sinister nanny - the lot. But perhaps what is most scary about this occult offering is the sense of inescapability that runs through the frightening deaths that pepper the film - if Damian has you in his sights, there’s very little you can do to outrun your fate.
11. Hereditary (2018)
The movie: Home is where the heart is. It’s also where the worst horror lives, hiding just beneath the surface of the perfect family life. A harrowed Toni Collette leads Ari Aster’s very first (!) feature film as the mother of a grieving family. The death of her own mother has sent shockwaves through their home and, to keep this review spoiler-free, the future isn’t looking exactly, errr, bright either.
Why it’s scary: It’s fair to say that at no point does 澳洲幸运5开奖号码历史查询:Hereditary feel safe. Nowhere during its two-hour run time do you feel like you can stop and take a breath, or even make a guess as to what’s coming next. Is this a supernatural movie? Is this an exercise in grief, similar to the Babadook? Is there even a difference between these two ideas? Every shot of Collette’s artist painstakingly creating miniature dioramas feels like a threat and every awkward conversation between the two teenagers of the family leaves a sickening feeling in the pit of your stomach. Why? There's no putting your finger on the exact reason. It might have split cinema audiences but Hereditary is a tour de force of modern horror that will leave you reeling long after its grueling third act. We’re just not going to tell you why.
The movie: By the late '90s, horror was looking a little tired. The masked slasher trope was staggering along in a dire need of a cup of very strong espresso. What it got instead was Wes Craven’s Scream which, despite being parodied into Inception levels of postmodern irony since, reinvigorated the genre with its perfect blend of knowing comedy and scares. Neve Campbell, Rose McGowan, and Drew Barrymore as teenagers talking fluent horror movie while being picked off by a genre-obsessed serial killer? Oh, go on… Add in Courtney Cox - at the giddy heights of Friends fame - as intrepid news reporter Gale Weathers and Scream is a modern horror classic.
Why it’s scary: Just because something is self-referential doesn’t mean it can’t be truly terrifying. The Scream mask, based on Munch’s painting, might have been twisted into stoned bliss by 澳洲幸运5开奖号码历史查询:Scary Movie, but it still manages to unsettle and thrill. Scream’s scares remain unpredictable too. Victims fall to this slasher’s knife with disturbing regularity and as we grow attached to our genuinely likable quipping heroes, the end game becomes all the more stressful as we wonder who will survive to the credits. Craven’s Nightmare on Elm Street scare talents guarantee terror all the way to the end. Why don't you, liver alone, eh?
9. A Nightmare on Elm Street (1984)
(Image credit: New Line Cinem)
The movie: Just like a certain dungaree-clad possessed doll, Freddy Krueger fell firmly into killer clown territory as the Nightmare on Elm Street franchise evolved over the years. Sure, he’ll spray your organs all over the walls but you’ll die laughing, right? Look back at Wes Craven’s original movie, though, and Freddy isn’t to be trifled with. Our selective memories mean we often forget that this serial child killer’s burns come from him being incinerated by an angry mob of parents. Living eternally through their fear and guilt, Freddy becomes the ultimate boogeyman when he dons his favorite murder glove and goes after a whole new generatioꦏn of Springwood spawn while they slumber.
Why it’s scary: Bed is meant to be safe. Secure. Free of razor-sharp blades ready to plunge through your chest at any given moment... Robert Englund’s Freddy might be horrible to look at but it’s the very idea of falling asleဣep and never waking up again that’s the true terrifying kicker here. The desperation of Heather Langenkamp’s Nancy and her friends as they strive to stay awake to stay alive. No amount of caffeine or loud music can save you now, dreams are waiting and that’s where a maniac lurks menacingly in the dark to end your life. Yes, the whole movie is worth it alone for Johnny Depp’s spectacularly splattery death scene, bu💜t A Nightmare on Elm Street isn’t one to press the snooze button on.
8. Jaws (1975)
The movie: Before 澳洲幸运5开奖号码历史查询:Jurassic Park, before ET, and an eternity before the majority of the cast of 澳洲幸运5开奖号码历史查询:Ready Player One were brought screaming into existence, there was Jaws, Steven Spielberg’s toothy horror. And yes, this is a horror movie. Jaws, one of the original blockbusters on account of the number of people literally queuing round the block only to flee the cinema in terror, is horrifying. It doesn’t matter that the shark looks a little ropey now when he gets up close and personal, the stor💧y of Amity Island’s gory summer season as Chief Brody desperately tries to keep swimmers out of the water is the stuff of horror legend. And, let’s face it, you’re already humming the score.
Why it’s scary: The reason that Jaws haunts you long after the credits roll is simple. One viewing and this particularly vindictive shark can potentially ruin every trip to the seaside. Every gentle paddle as waves lap at your toes. Every skinny dip. Every precarious trip out onto the ocean wave on anything smaller than the Titanic. Spielberg doesn’t pull any punches either. Dogs die, ch💟ildren die, heads float out of sunken boats. No one is guaranteed to see the credits here, especially not the three men who head out to ไsea to slay the beast. With legendary performances and a monster that will never leave you, Jaws is the ultimate creature feature.
The movie: In the late ‘90s and early ‘00s, a rash of J-horror films came out of Japan to scare the bejeezus out of audiences, and perhaps none so notable or influential as Hideo Nakata’s Ringu. Journalist Reiko Asakawa and her ex-husband Ryuji investigate the mysterious death of Reiko’s niece, a highschooler who died one week after watching a notorious video tape linked to an urban legend that appears to be petrifyingly true and now threatജens the couple’s son. They uncover the story of Sadako, a young girl with deadly psychic powers and her unfortunate demise, and seek to bring peace to her memory before it’s too late. The VHS technology may seem a little dated in the age of digital streaming, but there’s nothing out-of-touch about the fear generated by Nakata’s incendiary horror filmmaking.
Why it’s scary: Oh we don’t know. Maybe there’s nothing scary about the relentless ringing of a telephone that means you’ve only got seven days to live, haunted video tapes showing surreal footage that lea🐲ds to people being literally terrified to death, the idea that you have to pass on the curse to someone else or die, or lank black haired ghost girls crawling their way out of deserted wells… maybe it’s just us.
5. The Silence Of The Lambs (1991)
(Image credit: IMDb)
The movie: Jodie Foster and Anthony Hopkins star in this horror - yes horror - film about a young FBI agent hunting serial killer Buffalo Bill (Ted Levine) and the incarcerated cannibal brought on to assist her. Jonathan Demme’s film won ‘the big five’ prizes at that year’s Academy Awards: Best Picture, Best Director, Best Actor, Best Actress, and Best Adapted Screenplay, and gave licence to an audience who wouldn&r🎀squo;t normally gravitate towards horror movies to delve into the scary underbelly of cinema’s darker side. In turn, novelist Robert Harris’ character of Hannibal Lector became one of film’s most recognisable villains under the assured - and deliciously camp - steer of Hopkins’ teeth-gnashing performance, and we were given one of our strongest and most compelling female leads with Foster’s Clarice Starling.
Why it’s scary: Moments of sickening violence intersperse with strong procedural storytelling to create a truly nail biting experience. Lector is a man beyond us - a genius who can outthink, outfight and outrun those entrusted with keeping us safe. Add in Levine’s Buffalo Bill, a beast of a man intent on making himself a human suit, and characters we care about not becoming bloated corpses with their skin flayed off, and you’ve got a se💧rial killer shocker for the ages. Not to mention that to this day, a denouement in a pitch black basement, soundtracked by the desperate cries of a kidnapped woman, is one of the most terror-stricken - and cathartic - sequences in horror cinema.
4. The Shining (1980)
The movie: Even if you haven’t watched Stanley Kubrick’s masterpiece, you’ll know of The Shining. You&rsquo💖;ll know Jack Nicholson’s (apparently ad-libbed) "Heeeeeeeere’s Johnny" and you might even be aware that if you’re handed the keys to room 237 in a hotel, you might want to switch it for another suite. But what if you haven’t? What if you have been snowed up in a mysterious hotel with only hedge animals for company? Well, The Shining follows a m♔an and his family as he takes on the role of winter caretaker at a resort hotel known as The Overlook. Given that this is a Stephen King adaptation (albeit one that that horror author hates so much that he made his own movie), the winter months don’t go well. The Overlook Hotel, it turns out, doesn’t really like people.
Why it’s scary: There's a reason that this is the top of this veritable pile of screams. The Shining feels evil. From Jack Nicholson’s deranged performance as a man descending into murderous insanity to Kubrick’s relentless direction as we hypnotically follow Danny navigating the hotel corridors on his trike, this is a movie that never lets you feel safe. Like Hereditary earlier i🔯n this list, The Shining is like being driven by a drunk mad man. What’s coming next? Lifts of blood? Chopped up little girls? The terror that lurks in the bath of room 237? This is not a horror movie made of boo scares or cheap tricks, Kubrick’s film is a lurking, dangerous beast that s𝓰tays with you long after your TV has gone dark.
3. The Thing (1982)
The movie: Perhaps you’ve been buried in snow and have missed John Carpenter’s ultimate creature feature. Entirely understandable. Why don’t you come closer to the fire and defrost? The title might sound hokey but The Thing remains one of the most gloriously splattery and tense horrors of all time as a group of Americans at an Antarctic research station - including Kurt Russell’s R.J MacReady - take on an alien, well, thing that infects blood. It might start off taking out the canine companions, but it really doesn’t stop there.
Why it’s scary: The Thing is a movie of physicality. There’s intense paranoia and horror sprinkled in as the party begins to fall apart as the infection spreads but it’s the very real, oh-so-touchable nature of the nasties at work here that’s so disturbing. The practical effects - the responsibility of a young Rob Bottin and uncredited Stan Winston - are the true stars as arms are e🌳aten by chests, decapitated heads sprout legs, and bodies are eꦉlongated and stretched. The macabre vision of these murderous monsters at work is never anything less than true nightmare fuel.
2. The Texas Chain Saw Massacre (1974)
The movie: Some movie titles are vague, letting you gradually work out their meaning as the narrative slowly unfurls in front of your eyes like a delicate flower in tea. Then there’s Tobe Hooper’s grim, sweaty horror movie. There is nothing delicate here. Its titular weapon needs to be sharp but The Texas Chain Saw Massacre is a blunt instrument of horror. This is a tour de force of violence as🐲 five young people leave the safety of🌟 the world behind and journey into dusty Americana. What they find in one house when they innocently enter looking for gas is such death and depravity that the movie is still, decades on, a disturbing endurance test.
Why it’s scary: The funny - and there is humor here, it’s just not there on the first watch - thing about the Texas Chain Saw Massacre is that there’s actually very little blood. There’s the iconic Leatherface, inspired by Ed Gein in his fleshy face covering, and a death scene involving a hook that will make you look down and check your body is still there, but very little viscera. Gore is something that your brain mentally splashes everywhere to try and deal with the horror on screen here, to cope with the screams of pur🉐e terror and iconic disturbing soundtrack. It’s suffered plenty of clones over the years, not to mention a Michael Bay-produced glossy cash cow remake, but nothing can replicate the sheer desperation and violent honesty of The Texas Chain Saw Massacre. It would almost be dangerous to try.
Becky Darke is a London-based podcaster and writer, with her sights on film, horror and 90s pop-culture. She is a regular contributor to Arrow Video, Empire, T🦋he Evolution of Horror and The Final Girls.
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