It can be hard to predict what's going to be big in comics. Sure, you can rely on the big name Marvel and DC titles to regularly sell well and there are certain creators who can shift thousands of copies based on their name alone, but given that there are more than 150 different comics, graphic novels, and trade paperbacks published this week alone, it can be hard to cut through the noise. Every now and again, though, s🌞omethඣing entirely unexpected will take off.
Beneath the Trees Where Nobody Sees is one such book. The blackly comic murder mystery series from IDW launched in October last year and, in its five issues so far, has become the company's best-selling original (ie. not based on a franchise like Teenage Mutant Ninja ꦫTurtles) comic. What's even more remarkable, however, is that it's written and painted by a creator who is more-or-less a ne♐wcomer to the comics industry: Patrick Horvath.
Described by IDW as, "Dexter meets Richard Scarry's Busy ꦑTown" Beneath the Trees is blessed with an instantly attention-grabbing pitch.
Beneath the Trees has its origins in one of Horvath's daily sketches - in this case, a teddy bear carrying a bloodied axe - as well as a famous nursery rh๊yme. Talking to , he revealed that the title of the series was plucked from the song 'Teddy Bear's Picnic.' "I think it's the second chorus where they sing, 'Beneath the trees where nobody sees, they hide and seek as long as they please, because that's the way the teddy bears have their picnic' and I was like, what do they do beneath the trees where nobody sees?!"
Clearly Horvath's idea has struck a chord. The five issues of Beneath the Trees published so far have sold almost 150k copies, with the first three issues each requiring several reprints. According to IDW, comic shops have shown increased interest🍌 in the book with each passing issue - an unusual and pleasing development given that the numbers g🎃enerally tend to trend downwards after a series launch and the hype of a first issue has died down.
"When I heard from my editor Maggie Howell that we had sold out t꧋hat first printing, I couldn’t b⛎elieve it," Horvath told Newsarama. "I always thought there would be an audience out there for this book, I just never thought they'd show up so quickly! I still can't believe it, to be honest. IDW has been amazing in doing everything to help it grow, and I've been floored by the response from readers, critics, and comic shops." He says that he has also been heartened by the willingness of readers to embrace the stranger, darker moments in the book. "The biggest surprise to me has been that everything in the story I thought might be the strange and weird details that would put off readers ended up being the things they've liked the most!"
IDW's associate editor Jake Williams says that he always knew that the series would be a success from the moment that he saw Horvath's cuddly cartoon murderer. "My first interaction with Beneath The Trees Where Nobody Sees was a brief description of the plot, sent along by Patrick as one of a few different pitches," he explains. "From that alone, we knew this would be a hit. THEN, Patrick sent his first sket🌼ch of Sam, and we knew this would be a😼bsolutely massive."
Beneath the Trees Where Nobody♔ Sees ends with #6 and there's no word as yet on if the book will be back for a second arc - though, assuming Samantha makes it out of the series alive, we're sure that IDW will be keen. Whatever the case, it's really encouraging to see an original title like this not only win critical acclaim, but also chime with the wider comics-buying public. And with Patrick Horvath, the series has introduced the world to an impressive new comics talent whose work we'll be keeping a keen eye on.
Beneath the Trees Where Nobody Sees #1-#5 are all available now. The final issue is published by IDW on May 8, with a🥃 trade paperback of th💧e series publishing on September 17.
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Will Salmon is the Streaming Editor for GamesRadar+. He has been writing about film, TV, comics, and music for more than 15 years, which is quite a long time if you stop and think about it. At Future he launched the scary movie magazine Horrorville, relaunched Comic Heroes, and has written for every issue of SFX magazine for well ov🅰er a decade. His music writing has appeared in The Quietus, MOJO, Electronic Sound, Clash, and loads of other places too.
