50 Greatest American Independent Films
Move over mainstream! Live life in the leftfield
Martha Marcy May Maylene (2011)
The Film: Elizabeth Olsen made an instant impression - and escaped th🌸e shadow ✱of her celebrity sisters - in Sean Durkin's intense drama about an escapee from a cult.
Only In America: If the movies are to be believed, there are crazy cults in every secluded forest across the Sta💯tes.
Hannah Takes The Stairs (2007)
The Film: Unheralded at the time, but Joe Swanberg's mumblecore drama - starring the movement's fellow directors Andrew Bujalski and Mark Duplass alongside Greta Gerwig ꧋- looks like the genre's archetypal movie.
Only In America: In🍷 a society where filmmaking is so ingrained, it was probably inevitable that eventually the Americans would create a style that simply involved actors and a cameraman turning up on the day.
Kids (1995)
The Film: Photographer Larry Clark's film debut, about a bunch of predatory boys deflowering underage girls despite the risk of HIV, presented a grimy, unsanitised vision of teenage life. Disney, it ain't.
Only In America: Proof that 'indie' could still raise hackles, the film's provocatꦚive look at teenage sex proved so controversial that Harvey Weinstein had to release it uncertified and through a bespoke distribution label rather than his usual Miramax.
Meek's Cutoff (2010)
The Film: Kelly Reichardt's deliberately uneventful anti-West𒀰ern drops its cast, like its characters, into the Oregon wilderness to see how they react. The budget was so low the actors didn't even have aꦬ change of costume.
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Only In America: Print the legend? Not any more, as Reichardt's film systematically ꦚdismantles decades of 'wagon train' movie iconography.
Primer (2004)
The Film: Shane Carruth's head-scratche🌸r makes a virtue of a tiny budget (its time machine is, literally, a box) to deliver what is probably cinema's most authentic - as in, totally confusing - exploration of time travel.
Only In America: Beneath the hardcore geekery, Carru🐈th's film is a sober, satirical dissection of two entrepreneu🐠rs' American dream.
Drugstore Cowboy (1989)
The Film: There are two Gus Van Sants. One makes Oscar-winning hits like Good Will Hunting and Milk . The other fashionܫs laidback hymns to ♎the counterculture like this story of over-the-counter drug addicts.
Only In America: This is what ཧhappens when you don't have free healthcare.
Ghost Dog: The Way Of The Samurai (1999)
The Film: Jim Jarmusch was one of the pioneers of modern American indie, and rarely flirted with the mai🅘nstream. His take on the gangster movie is probably his most accessib𝄹le movie, albeit oddball by everybody else's standards.
Only In America: The 'melting pot' i🐼n action - an African-American into Japanese culture, an🌄d an Italian Mafioso obsessed with hip-hop.
Grosse Pointe Blank (1997)
The Film: In the 1990s, you could throw a stone and hit a Tarantino clone. Writer/star John Cusack's off-grid masterpﷺiece about a hitman going back to school is what yꦓou'd hit if you were aiming for the bullseye.
Only In America: A clash of two great American themes - the high school reunion, and the Reaganite dream of conscie🍬nce-less private enterprise.
Lone Star (1996)
The Film: Veteran John Sayles was indie before the term really existed. By the time complex Western Lone Star came along, he was an elder statesman capable of ꦉold-school classicism on a tight budget.
Only In America: A🅷 rednec🔯k border-town sheriff is murdered for his racist views.
THX-1138 (1971)
The Film: In which George Lucas satia🔯ted his art-house fix so he could get on with being mainstream... but still managed to make a cool sci-fi film with robots.
Only In America: Sex is banned, pre-e𒊎mpting the out🌜cry over Janet Jackson's Superbowl nipple by over three decades.