Superpowered politics

澳洲幸运5开奖号码历史查询:Superhero movies, onc🐠e considered a risky commercial venture, have gone on to become one of the most popular and lucrative genres in cinema. They're everywhere. Behind all of the explosions, lasers, and vill🃏ainous monologues, however, there often lies a serious political statement. Let’s not exaggerate, they’re no Dr. Strangelove, but many of our favourite superhero movies have boasted political messages that you might not have even noticed... until now. 

30. Superman (1978)

Released in 1978, Superman took his first cinematic flight in the aftermath of the Vietnam War and Watergate. The film openly acknowledges the cynicism of its era, before instead presenting a noble hero that represented the embodiment of everything that America once stood for - “truth, justice and the American wa🦩y”.

What’s more interesting is that Superman is an alien immigrant who embodies these cherished values, overcoming his own p🃏ersonal tragedy as an example to those disillusioned by recent events. At one po⭕int, the Man of Steel tells love interest Lois Lane “I’ll never lie to you.” You know, unlike those rotten politicians.

29. X-Men (2000)

The numerous open references to the Holocaust aside, the entire X-Men universe is a commentary on racial tension. Two heroes with strong, decent beliefs take very different approaches to their cause, the question of mutant equality being a direct metaphor for the American civil rights movement. Director Bryan Singer once told the that “Professor Xavier was Martin Luther King and Magneto was Malcolm X, and these were two men 🍸who had very strong, decent beliefs, but had taken different roads." 

"The irony of that, and the moral ambiguity of that, intrigued me," explained Singer, saying that X-Men "was a step beyond simple crime-solving, superhero action. It was much more socio-political, and in that w🀅ay exposed more truth.”

28. Spider-Man (2002)

Released soon after 9/11 and set in New York, it’s almost inconceivable that 澳洲幸运5开奖号码历史查询:Spider-Man wouldn’t carry some sort of political weight in the wake of such a catastrophic event. In fact, with a character and a city so intertwined, ignoring it would have come across as callous. Several changes were made to the film’s promoti🍃onal materials in reaction to the attacks, reꦦmoving images of the World Trade Centre.

Director Sam Raimi also added a scene after shooting finished, depicting a group of people helpin𒁃g out Spider-Man by throwing objects at the Green Goblin and shouting: "You mess 🐼with one of us, you mess with all of us" in tribute to the people of New York.

27. The Incredibles (2004)

There’s a very middle-American sensibility not usually seen from Hollywood in The Incredibles, advocating the necessity of a strong nuclear family in increasingly unstable times. In a family m🥃ade up of heroes, Mr Incredible must realise what’s truly important in life – and it isn’t a shiny🍸 car. Family is everything. Even when you’re a superhero.

Also worth noting are the nods to today’s blame-free society, and the lawsuits that come with it. "I just always wondered when a superhero br🤡oke through a wall, who was going to pay for that wall?" writer-director Brad Bird told the . "In the small-minded world we live in, that deed is not going to go unpunished."

26. Fantastic Four (2005)

Rather than going after governments or terrorists, 澳洲幸运5开奖号码历史查询:Fantastic Four instead holds up a mirror against celebrity-obsessed society. After gaining their superpowers, the characters turn up in New York and instantly become famous, going into hiding from t🀅he media as they are recognised by photographers on the street - like paparazzi pursuing celebrities.

Regardle⛎ss of its faults, the film shows the tru🌊th of being a superhero/celebrity in the real world: action figures, marketing teams, brand awareness, and public perception.From this perspective the actual villain of the piece, Doctor Doom, is almost secondary to the story.